Returning to professional theater after a 30-years hiatus, Merle Goodâs latest play â on the interactions between a female psychiatrist, two male pastors, and an estranged daughter â will be produced, directed and staged by veteran artists in the New York City theater scene.
The visionary at the top of the production team for Goodâs new play, , is acclaimed executive producer .
She was pivotal in the production of , a musical centering on a rural Baptist Church in North Carolina in the WWII era (performed more than 500 times in New York in the 1990s). She was also producer of , a drama about an imagined meeting between Sigmund Freud and C. S. Lewis, which had a two-year run off-Broadway into 2012; it then moved to venues in Chicago, Los Angeles, and Sydney, Australia. Copeland and her employees have racked up countless other successful theater productions over the last 30 years.
âI love working on new plays,â Copeland told the 91´óÉń news service. âI donât want to do revivals â they donât interest me. I want to see fresh creations, like The Preacher and the Shrink, be brought to their full potential.â
Upon Copelandâs recommendation, the director will be long-time theater artist , with whom she collaborated on the comedy Flamingo Court, which ran for two summer seasons off Broadway. Yuhasz, who brings directing, producing and acting experience (plus an MFA in directing, set and costume design), will be adding this directing stint to his regular workload as executive director of the non-profit in Norwalk, Conn.
The Goods, Copeland, Yuhasz, and a handful of other creative collaborators heard Merleâs script performed by talented professional actors in a âtable readingâ in April in NYC, which stoked everyoneâs sense of enthusiasm for the playâs potential, said Yuhasz.
Post-reading, Good felt inspired to re-draft parts of his play, on which he had been working intermittently since 2006. Among other revisions, he cut about 12 pages from it to yield a faster-paced production.
âThe play has a great story to tell,â said Yuhasz. âThere are universal themes in it. Itâs a story about relationships and how people evolve into a new place with them. I believe everyone [in the audience] will walk away with something different from it.â
Yuhasz said a director has to âget into the head of the playwright,â which he feels he is able to do with Good. In his playwriting, âMerle has a way of bringing out peopleâs hearts and souls, and the real world that they live in,â said Yuhasz.
On Goodâs part, he is looking forward to watching Yuhasz do the casting in September. âHeâll assemble a superb, highly professional cast,â Good said.
Good stresses that The Preacher and the Shrink is not a âMennonite playâ or a âchurch playâ or a âChristian play,â as they are often defined. âIt is a play written for the general theater-going public,â he said. âIt is not an allegory or a parable. It is first and foremost a straightforward story, with all of its complexities. It looks at the estrangement between a father, who happens to be a mainline Protestant pastor, and his daughter.â
When Good was living in NYC in the early 1970s, pursuing an MDiv at , he began to ponder the way psychiatrists were taking the place of pastoral religious leaders as âlistenersâ for people feeling troubled. This insight is explored in his new play, he noted.
After three years of graduate study in New York, Good (a â69 grad of 91´óÉń) and his wife Phyllis (class of â70) returned to their home turf in Lancaster, Pa., where they ran a summer theater for a decade, among other business pursuits. Good, who was the lead in the first official play produced at 91´óÉń, Murder in the Cathedral, oversaw 400 productions of 10 plays he wrote during this period, always on themes pertaining the Mennonites and Amish.
He also assisted in writing the script for Hazelâs People, a feature-length film about modern-living Mennonites made in the 1970s. It was based on his only published novel Happy as the Grass Was Green (1971).
In subsequent decades Good immersed himself in succeeding at the business of book publishing. This he has accomplished, in partnership with Phyllis. The flagship of their cluster of family businesses, , has about 200 books on the market currently. In recent years daughter Kate Good â99 came aboard as assistant publisher. Sheâs an English major (like both parents) who earned an MFA in creative writing at George Mason University.
The Preacher and the Shrink will be performed Nov. 2 through Jan. 4 in an intimately warm venue chosen by Copeland. Itâs , a complex of five small off-Broadway theaters at 410 West 42nd Street near Times Square in Manhattan.
Good said members of his church, in Lancaster, have already chartered a 56-seat bus to take hometown folks to see the play, and the bus seats are almost all taken.
âI wanted to give persons and groups in Phyllisâs and my circle of acquaintances first chance at tickets,â said Good. âSo Iâm trying to get the word out in August before the play is marketed to the wider public, beginning Sept. 1.â
Those who are hoping to bring a group may want to plan early and reserve early. âThere will be only ten Saturday matinee dates during the run,â said Copeland. âSo if you have a specific weekend in mind to bring your group, itâs best to reserve early. The Thanksgiving, Christmas and New Year seasons will most likely sell out first.â
The seven weekly performances of The Preacher and the Shrink will be Tuesdays at 7 p.m., Wednesdays through Saturdays at 8 p.m., Saturdays at 2 p.m., and Sundays at 3 p.m.
Tickets are available through Telecharge.com, 800-447-7400 (for group sales, call 800-432-7780). Groups also can be booked through Your Broadway Genius Groups at 877-943-2929.
